Martina Martorano

Sassy, fun, and she’s got great music taste 💘Meet Martina, our latest crush!
You might recognize her, surely you’ve heard her voice or seen her face on one of the many events, programs and platforms she’s collaborated with over the last decade. She’s the rising star, an experienced host for radio, TV, and web channels, as well as a brilliant music consultant for TV programs and live music events & festivals.
Throughout her career, she has interviewed numerous personalities and artists. A most recent example of her work is her new radio show Safari, aired on the national Italian broadcaster RAI Radio 2, where she hosts various artists from different backgrounds and artistic expertise.
We met with Martina by chance, it turned out we have much more in common than one would think. In a nutshell, she’s quite the wild spirit, an independent personality that has risen from the depths of the Roman working-music scene, being her father a musician and her mother a cultural & music events organiser. Her summer childhood memories aren’t full of family holidays or trips, rather of spending time at a villa in Rome, where her parents worked and where she started (subconsciously) her musical education.
Living music since a very tender age, she considers herself a music freak. Following upcoming artists, staying up to date with releases, and discovering as much new music from the world as possible, are among her favourite things to do.

You studied Law School in London – then you had a change of heart and went for a different career, what happened?

If I had to choose a word to describe myself, I would pick curious – right after empathetic; my curiosity has led me to explore as many fields of interests as I could. I was born into a musical environment, and this made my passion for music and the desire to grab a microphone to just start interviewing artists come to me in the most natural way.
My Law School chapter started when I turned 19, and decided to move to England without much knowledge of English. After spending the first year just wandering around, I did something completely out of my comfort zone. To be honest, I never thought a career as a lawyer would be my path, but being a very stubborn person, I started a journey and wanted to see it through. I specialised in International Law and in Copyright Law. Today I am very happy with the journey I had at law school, however – since we’re being completely honest, being able to listen to my inner self, follow my passions, and nurture my talents, has been a somewhat slow, and at times, painful process. When I finally reached a level of serenity that made me comprehend myself entirely, allowing me to listen to my inner voice calmly, everything fell into the right place.

How did your involvement in the Italian music & entertainment biz begin?

There wasn’t a real starting point. My father was an Egyptian musician, and my mother was always involved working in the social sector and the third sector. Her work led her to be in close contact with cultural events, both in spaces like cultural associations and eventually creating a festival that, over the years, became a major representative event for Music from the World in Italy. The festival was called ‘Roma Incontra il Mondo’ and it took place at Villa Ada in Rome. From the age of 7, I spent all my summers there; while my schoolmates went on vacation, I discovered music among the trees and green at the park. The older I got, the more involved I became in the organisation of the festival. The transition was quite natural when I also started organising my own events at Lanificio 159, working for the Italian Open Tennis Championships, and so on. I started travelling for work across Italy, trying to use my musical knowledge to promote culture, and to find in music a reason for sharing while creating engagement.

What do you like best – working on TV, Radio or Live music events?

This is a tough one! On radio and TV I get to share what I prefer, the stories I love, and the messages I want to convey. In recent years, organising festivals and concerts hasn’t been easy: there is less and less support from institutions to fund cultural events, so often, you end up creating line-ups based more on the market’s demands than on genuine artistic choices. Which if you ask my opinion, I believe would lead to a more diverse, interesting program. Of course, putting talented artists on stage and seeing the crowd appreciate your choices is satisfying, but what I’m able to do with radio and TV, at this stage in my life, is more exciting.

A project you’ve worked on that is close to your heart?

Until a few years ago, I would have said that I fondly remember, with love and even a bit of nostalgia, the first festival I organised with friends called ‘Make Your Festival’, where we managed to imagine and create something truly dystopian that ever since has become normality: letting the audience customise their festival. Today instead I believe artistic direction is essential for a festival in the times we live in.

For the past four years, without a doubt, the event closest to my heart is ‘Uno Maggio Taranto Libero e Pensante’. Taranto has almost become a second home to me. This beautiful city that has suffered for so many years has become a symbol of the fight for everyone’s right to health, both human and environmental. Organised with the Comitato Cittadini Liberi e Pensanti di Taranto, and the artistic direction of Diodato, Michele Riondino, and Roy Paci. This event has become the moment of the year that I look forward to the most. It feels as if everything I believe in, and fight for comes to life in a single day, carrying a political and social significance that connects with my heart and my mind deeply.

Staying up to date, and knowing it all about music is a lot of work – do you have a method?

Of course! I listen to music constantly. There’s a fantastic US radio station called KCRW. On their website they have a channel called Eclectic 24, where they play all kinds of music 24 hours a day, effortlessly transitioning from one genre to another. I often discover artists that haven’t yet reached Italy through this channel. I also have daily relationships with record labels, producers, PR offices, and management teams who send me digital folders with new tracks. Finally I do my own research on streaming platforms, and check out my go-to live clubs & festivals around the world, to understand trends in other cities.

What music platforms do you use the most – Mixcloud, Spotify, Soundcloud…?

Mainly Spotify. SoundCloud I use for private stuff I receive from labels.

An artist you always go back to?

The type of questions that scare me the most are the ones that go favourite this or that. The most dreaded one of all is: FAVOURITE ARTIST OR MUSIC GENRE?
You’ll see me struggle to answer this question, but I’ll give it a try.

There are days when I desperately need to reconnect with my hippie side, and listen to a lot of reggae. There are also moments when jazz clears my mind. There are many albums I go back to and listen to repeatedly at different times in my life – built on Glass by Chet Faker is one of them. At the moment, I’m fascinated by all instrumental music — there’s a lot of it in the playlist I created for you. I definitely couldn’t live without some soul and black music. But then again, I couldn’t live without African music and Tuareg sounds… Nor rock, and some guilty pleasure Pop that makes me sing at the top of my lungs in the car.

I’ve given you a bit of everything, and nothing at the same time – but I did warn you that I didn’t know how to answer this question!

When did you first understand the power of music?

Perhaps as I grew up I realised that, much like a perfume or a scent, music not only marks a moment in the present that one is experiencing. But it is also a way to remember past events, past lives, friendships, loves, happy, or less happy moments. It has a strong evocative power—sometimes I come across a song I haven’t heard in years, and suddenly, in a split second, I’m transported back to that past season of my life. Another aspect that often moves me when I think about the power of music, is when I see people from different backgrounds, ages come together for a shared passion that leads to genuine, selfless connection.

Music is emotion, how often does Martina cry with music?

I often cry – with or without music, haha.

Actually, I’m not sure if music really makes me cry. If I put on an album by Antony and the Johnsons you’ll definitely catch me tearing up – there are certain voices that simply touch my soul. A thing that certainly triggers something in me, is when I re-listen to music that I had either misunderstood or hadn’t listened to with attention in the past, that moment when all of a sudden I get it, deeply moves me because I finally see and feel everything the artist intended to express, the emotions they were feeling.

Current music obsession?

Khruangbin, Glass beams, Hermanos Gutierrez e Noga Erez.

Your favourite music store in the world?

First place goes to Rough Trade on Brick Lane in London. In my 20’s I used to spend entire days there, I absolutely love their concept as a music store. It’s a place where you can spend the whole day – even if you’re a broke student you can stay there and listen to as many vinyl records as you want. You might even stumble upon a concert and discover a new band. Rough Trade is also an independent British record label that has produced so much great work over the years, they have my total appreciation.

Taking the conversation to a more local level, thanks to you guys I discovered Bar Brunori. The idea of a place like this, run by a family that is passionate about music and transformed its bar into a space where you can find vinyl records and listen to music, makes it a special place in my heart.

We asked you to create a BEA studio Playlist – describe the playlist’s vibe in 3 words.

I really like the BEA Studio world. A world made by intelligent women with distinctive style and creative ideas, not limiting themselves to just creating clothes, but exploring everything related to fashion and art in general.
I created an eclectic, powerful, and charismatic playlist for you.

You look so groovy in our outfits, did you feel cool wearing them?

Absolutely, and maybe it’s one of the first times I’ve ever felt confident having pictures taken. So I thank you for that.

What outfit/style was your favourite from the shooting – and why?

The one where I’m wearing the leopard baggy pants, a black top, and the turtle open shirt with my 70s-style big sunglasses. It’s how I usually like to dress, but BETTER thanks to your clothes. In fact, on that note, I’m placing a full order for the outfit, thanks 🙂

You were spotted wearing some of our bodysuits on your program on Radio2 – any specific way to style them?

I think they are so unique and cool (in fact, everyone noticed them) that I believe they are a must-have for any wardrobe. BEA studio bodysuit, jeans, ankle boots, and you’re a knockout!

What’s your favourite print from the BEA studio collections?

Speaking of must-haves, I think we should all have the Polar Bear jumpsuit from the BEAst – mode collection. Among the new colours I love the elephant and leopard print.

Here is a link to the playlist Martina created especially for us – a mix full of intriguing sounds and music, that helps to shape even more, her bubbly and energetic personality. Definitely keep an eye out for this young Miss, our new favourite voice on the Italian Radio