Margherita Laterza

As we approached the 4th floor – Margherita was walking behind me, a lovely half-pink painted wall and a huge cactus appeared on the doorway. Immediately I realised that we had arrived at the entrance of her future home.

A work in progress, boxes filled with things that need to be put in place, a project that is about to embrace its fuller form. This is what Margherita aligns with the most right now, and it’s the reason why she picked her new apartment – still under refurbishment, as location for the shooting of her interview.

This very talented young woman is a performer in the old school way: she can act, sing and dance at a professional level. She’s a true romantic soul, her favourite place on earth is Capri, and she loves a good sunset. But don’t be fooled by her looks ‘cause to the core, Margherita is more of a graceful monkey – we came to name her this as the afternoon we spent together unfolded, and she started to climb, leap and spring around her house in construction.

We know you love Capri and that much of your inspiration comes from the magical island – tell us a bit about that magic.

I am currently working on a documentary called “Caprilegio”, telling my family’s story on the island and focusing on understanding the magic element that attracted so many people and characters through time: intellectuals, writers, artists, fugitives – just like the woman I take my name from. To me Capri’s magic is the incredible mystery, the perception of it, something that is impossible to describe, but you’ll find yourself wondering about it while you are there.

Napolitan is a dialect of love; you choose to sing in it. Do you channel your love life into your music?

Yes, I channel my soul into my music, I discovered that I better express myself through sound than words. At this level, in which there are often no words, I find I can communicate with my deeper self, and if I do feel the urge to resonate with words – they surely come out in Neapolitan, my grandmother’s language, the language through which I learned to love.

Margherita’s life at the moment is all aboard, navigating into the deep waters of Syrene, her first musical project that is debuting so very soon.

You write your own songs?

Yes, I wrote all my songs using the voice looper, a tool that allowed me to invent layers of music only using my voice. I studied music when I was a child and I now write using the melodies that come directly to my mind.

Before singing there was her first love, acting.

Dream director to work with?

Ostlund, Inarritu, Rochvacher!

Tell us a bit about your academic/artistic path.

I started acting when I was 17, I was scouted in front of school and soon enough picked to play in a very intense short film by Sergio Basso. I remember thinking that acting was quite tough – I had to wake up early in the morning to go and play a role naked in the woods! But I also thought it was magical: to be able to play and create something from nothing, just with your body and soul. After this experience I signed up with an agency and started casting, all while studying Philosophy at university. After my graduation I decided to apply for the Centro Sperimentale di Cinematografia, where most of my acting education comes from.

You have lived many lives: a philosophy student, an actress, and now a lead singer. How did these transformations/evolutions come to you?

I guess is like when some animals change skin: the substance is the same, but you realize that a new YOU is emerging and that the shape your life had until yesterday, is now old. It seems to me that I am going deeper and deeper – the actress is a deeper me then the thinker, and maybe the singer is a truer and deeper me then the actress.

What are you currently reading?

Many things: ‘History of mermaids’ by Elisabetta Moro, “La storia di San Michele” by Axel Munthe, “Animali si diventa” by Federica Timeto and “Attenzione e preghiera” by Simone Weill.

When googling Margherita, apart from her filmography, MYmovies page, and soon enough Syrene videos – a lot of articles mentioning how she openly speaks out of her personal experience with sexual harassment, and the abuse of power in the entertainment industry will appear. We bring up this negative experience she had to unfortunately live in first person, to put a magnifying glass on the braveness of it all.

Even if a number of series, news articles, docu-movies and so on, have exposed what happens in the entertainment industry over time. When power in the business is misused once and again, there is a lack of support for the victim, and it seems to be somewhat impossible to find the strength and courage to speak out – to bring up the truth.

You are one that found the courage in her – a word of advice you would like to share with the newer artists that approach the entertainment business? 

Speak what you feel, and read feminist authors to better understand your emotions and how to speak them loud and clear (“women who run with the wolves” by C. P. Estes helped me a lot). The worst thing for me was that I did not speak when something clearly had hurt me in the moment – it’s difficult to react when in shock. This is why many victims talk years later, and anyhow the capacity to react is fundamental. I would also suggest to search for other women’s solidarity at work. Many associations – such as Amleta – are now working to protect women’s rights in the entertainment business, so ask for help if you need it.

Like every experience does, this one – as bad as it may have been, has probably taught you something about yourself. Would you care to share a bit of that wisdom?

I learned that as a woman I was taught to always be nice and welcoming, even in the face of abuse. I had to learn how to allow myself to feel rage, denial and feistiness, which are important tools to navigate this word, but they are usually considered “for men”, and inconvenient for women.

As the afternoon was coming to an end, and the warmer tones of a beautiful sunset approached, we moved to the living room. The area of the apartment in which one can appreciate the beauty of Rome in all of its glory, and where Margherita intends to spend the majority of her afternoons once she moves in.

BEA studio makes active & leisure wear for urban mermaids. Which of our models do you like the most?

The Jumpsuit, no doubt, I really feel like a magical elf or a superheroine in it!

You tried on 3 of our print styles, which of the 3 animals do you feel represents you the most: the gorilla, the polar bear or the gentle elephant?

Probably something in between the gorilla and the polar bear, both seem to be sweet animals despite their wild nature, I also very much relate with their desire to “play”!